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Every fictional universe has its own rules, and it’s the author’s responsibility to maintain consistency and explain any deviations from those rules. The book bends (and in one case breaks) universe rules. No, not like our Universe, the Harry Potter fictional universe.There were one or two twists that I enjoyed, however I was too distracted by the fact that they came close to breaking universe rules (and opened up a whole can of worms). You see the same items, the same spells, the same people, the same problem…it’s not enough. The plot is kind of boring. It’s too much “been there, done that” for my liking.Without that as an anchor it’s easy to feel disconnected from his actions, and many times I wondered, Why is he doing that? Unlike books 1-7 Cursed Child isn’t in first person, and we aren’t privy to what takes place in the protagonist’s head (something that can be done in plays in the form of interior monologues). We’re supposed to care about several new characters but we never get to know who they are, how they think, or what motivates them. The story is largely character-driven (as opposed to being magic-driven like in books 1-7), yet there is almost zero character development.
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I, um, I think you’ve got really nice hair.Īnd that’s just the tippity-tip of the iceberg. RON ( hesitating in the face of her unwavering gaze): Fine. That’s what they sound like in Cursed Child: not 40-year-olds, but 12-year-olds playing 40-year-olds.
#Harry potter and the cursed child book synopsis series#
Long story short (no spoilers): Although the Harry Potter series will forever hold a special place in my heart, this story was utter garbage.
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As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. Thankfully, he was more than up to the task.Brief synopsis (Goodreads): Based on an original new story by J.K. But it was his stage adaptation of the novel Let The Right One In that assured Cursed Child producer Sonia Friedman that he was a perfect match for this staggering project.
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And considering his background in writing, it shouldn't be too much of a shock - he's written in the past for shows like Skins and This Is England. (Warning: Spoilers ahead!) In fact, writer Jack Thorne was responsible for penning the two-part epic, which officially opens on the West End on July 31 along with the public release of the script.Īny fans who might have been skeptical of Thorne's ability to adapt Rowling's precious characters into script form are now much relieved to see that he kept the integrity, wit, and soul of all of them very much in tact. Rowling write Harry Potter and the Cursed Child? Surprisingly, Rowling was not the main writer on this script. If you also just finished Harry Potter and the Cursed Child, then you recognized that it had all the hallmarks of its Harry Potter predecessors - adventure, quippy one-liners, and, of course, another rousing round of good versus evil.